Rising from the ocean floor, somewhere within the Bermuda Triangle (aka: "the devil´s triangle") off the coast of Miami, Florida, are ancient pyramids.  Atop one of these pyramids is an unexplained pulsating light.  Such is the story of one Dr. Anthony Benneck, as told during a radio interview with a pioneer in talk radio, San Antonio´s own Alan Dale.  During this interview, Dr. Benneck gives an accounting of his initial experiences from 1968 & 1969, speaking of his fishing discovery of a sealed triangular tablet bearing crypto-glyphs, and of his frightening experiences within an otherworldly fog encountered as he and a friend were deep-sea sail fishing.

Dr. Benneck eventually organized a six month expedition with the aid of a major university, and although the resulting film footage and other data was "swallowed" once loaned to the government for review, he recollected some of the fascinating discoveries.  These ranged from discussion of a region of very heavy water with a salt content 14 times greater than that of the Great Salt Lake, to the unexplained electronics failures which occurred at a 3/4 mile distance from the smaller pyramid bearing the afore mentioned, constantly pulsating light, as well as the recovery of a crystalized skeleton.

The XOX song 297.3 contains, in part, the guitar work of Bonfyr Verboo blended with a segmented compilation of Alan Dale´s  Dr. Anthony Benneck interview and a stereo recording of a San Antonio thunderstorm, both recorded by Abraxox.  The mix was perfected over several months of experimentation, striving to reach the proper mixture of eerieness and ambient noise. The overall experience is like that of a short dream-film which plays in one's own head.

Much of the music of XOX began as imagery, or as abstract ideas we pursued in order to explore or create a feeling, thus explaining why an abundance of our music is not focused upon lyrics. Many have suggested that our music would make for excellent soundtrack material.  We are happy to share our music freely, as long as it is properly credited and is not used for profit by any individual, agency, or entity.

A Tascam four track, variable speed cassette tape recorder, along with a standard stereo cassette tape recorder were used to make the original recordings.  Instruments such as guitars, samplers, and synthesizers were used in conjunction with sequencers, and tape loops, to produce them.  Wherever possible, these recordings have been directly digitized from the masters.

Originally released in very limited numbers during Christmas of 1994, the songs were in the same order listed, except for Futures On The Doorstep, which was edited into two parts.  Part one was placed at the end of side A and part two was placed at the end of side B.  Also, Evil Twins was not included on the original cassette-album due to space constraints, but was added when the songs were remastered into a digital format for compact disc.

Date references are recording dates (precise where possible).
Time references indicate approx. durations of the .mp3 files, as do size references.